Chandra Oppenheim was 12 years old when she released her only EP, Transportation. Due to her talent and her young age she became a hit in the underground 80s new wave scene, and also collaborated with The Dance. One commenter online says, “I saw her perform either in 1980 or 1981 at a small club in Philly called Omin’s. She had a chaperone with her, and she had to finish her performance before 11 pm because of a curfew. Also, for someone so young she had terrific stage presence.” Add this to the list of things that make me wish time machines existed.
Chandra’s music is synthy, punky, and definitely worth a listen. Fortunately, her original 4 track EP was recently uploaded to Bandcamp with an added 4 previously unreleased tracks! Check out the album here.
Although Molly Nilsson previously collaborated with John Maus and also has a large discography under her belt, I haven’t had the pleasure of hearing her music before today. The above song caught my attention for its macabre/romantic lyrics and minimal melody, and the other tracks I’ve listened to off of various releases are equally as wonderful. I can’t find much information about her, but some articles claim she was born in Sweden and currently lives in Berlin. I’m loving her powerful voice matched with her simple synth anthems. Her ‘These Things Take Time’ release is available on Spotify, and you can listen to/buy her other releases via her official website.
Frankie Teardrop of the fantastic Systems of Romance music blog has created a mix of entirely female-fronted projects in the coldwave, minimal and post-punk vein. It’s a great mix so I highly recommend giving it a listen, and check out the tracklist here for any artists you don’t recognize.
In preparation for Veronica Vasicka coming to Vancouver for a DJ gig, I’ve been listening a lot to one of my favourite Minimal Wave compilations, The Hidden Tapes. One track in particular that’s been haunting me has been You Don’t Know My Name by a mysterious artist named Kym Amps.
I’ve tried to do some research on Kym Amps to see if I could find out more info about her, and see if she has any other releases. The always awesome Systems of Romance posted the one single that she definitely released, which you can find here. However, trying to find info on her background and any other releases has been a bit tricky. As for minimal wave songs, that single seems to be all she ever released. However, there also appears to be a soprano vocalist with the same name. I’ve listened to a couple of her songs, and while the non-coldwave songs have a much more polished vocal style (not to mention higher notes), I feel like I can hear a similarity. Her photo from the above biography page and the photo on the cover of the minimal wave single also have some interesting similarities.
If you happen to know any info about Kym Amps feel free to let me know – is she now happy and thriving in a soprano career? Does she still fondly listen to synthy beep boops and dream of releasing some new material in that vein? I’d love to hear what she’s up to these days. Until then, I’ll give You Don’t Know My Name a listen every so often and enjoy the melancholic charm.
Edit: A commenter kindly pointed out that there are two other Kym songs available for purchase on iTunes and streamable on Spotify: I Must Have Been Seeing Things and Days Like These. Her voice is really heavenly and I’ve been loving them!
Figure Study is a minimal synth band based in NYC. According to the description of their self-titled LP on Dark Entries, members Nathan Antolik and April Chalpara met at a Wierd Party event in 2009 and began collaborating soon after. Their music evokes a sense of gloomy foreboding while still remaining very danceable. Loneliness and distance tinge each song, but the soundscape somehow leaves the listener feeling energized instead of desolate. This is an album I’d love to listen to while walking the streets of a city I’ve never been to before, at night.
In addition to their debut LP, Figure Study also has one single available. ‘Lesson One’ was my introduction to this great band, and remains one of my favourites. You can listen to Figure Study by buying their music from Dark Entries, visiting their Soundcloud, or streaming on Spotify or Rdio.
This week’s album on repeat is Signals From Afar by a fairly unknown 80s band called The Shortwave Mystery. A duo from California, in 1985 they apparently released a 12″ of the above song, Pilots, that was so unsuccessful that the majority of the records ended up in a landfill. How they didn’t take off is beyond me – their songs combine the best parts of synthpop and minimal-synth, with some EBM sprinkled in for good measure. However, due to resurging interest in the 80s synth scene, the band re-issued their songs into a full-length album a few years ago.
Signals From Afar is excellent from beginning to end – I haven’t been this excited about stumbling upon a band in at least a couple of months. Which actually says a lot. I get excited pretty often.
You can buy their releases directly from the label that re-issued them here.
Sounds like there’s an amazing new project forming in Berlin…Laslo Antal of Sixth June and Sally Dige Jørgensen have teamed up to form Cult Club, a minimal synth project that sounds really promising from the two tracks I’ve heard so far. ‘All The People’ has a relaxed, almost ethereal vibe while ‘Why Do You Go?’ picks up the pace by being amazingly catchy and danceable. I can’t find any information about ordering or downloading their music, but they do have a Soundcloud and an official site that is being updated. If you like Sixth June or Sally Dige I highly recommend checking out Cult Club – it’s a great melding of their distinctive sounds.
And the year is off to a fantastic start. Event page here!
I’ve been out of the country and not listening to much music for the past few weeks, but I’m back and catching up by combing the internet for new music. Tonight I’m really enjoying this mixtape by Xavier Paradis of Automelodi, so I thought I’d share it – perfect mix of italo disco/minimal synth tunes to listen to during a rainy evening. The mix has some songs from great Canadian projects (Essaie Pas, Violence, Xarah Dion) and a bunch of artists that are new to me and sound terrific!
One last quick post before heading out of the country for a few weeks. Cinéma Vengeance is a minimal-synth band that I can’t dig up much info about, but my friends in Montréal tell me that Xavier Paradis of Automelodi was drumming live with them last month and they said it was a fantastic live show! Apparently Xavier indicated that this project will have a more industrial feel than Automelodi. So I’m guessing it’s a Canadian project, looks like it’s been active for about a year and a half, and it’s fun. (Edit: The other band members are Nick Coldhands from Effet Werther and Fred from Police des moeurs) That’s all I got…check out their demos here.